4 years can feel like a really long time – -long time no see- was achim maerz frst wake up! ep back in 2013, -it s been a while- is his frst track on metal and machines and it s good to see that some things don t change. it s a true achim maerz track – focused on longing melodies, warmly distorted harmonies based on deep house foundations. -listening to machines- features a kickdrum like a steam hammer in factory hall. for the right mind, even a factory can be an inspiring place. benjamin brunn s -iron copper gold- follows his manner of creating timeless and eternal soundscapes. it is less playful and takes the tension to higher grounds. just like metal, it s cold being touched and it doesn t take long until it reaches body temperature. the fourth track express mode- was released on benjamin brunns drop lp in 2015. achim maerz remix sounds like a screwed-down uptempo house track – slow and heavy, but benjamin brunn s quirkiness is undeniably there.

1 pair of slipmats, made out of a smooth but strong material, unique matte surface, far more resistant to dust and other particles, extra thin and provide optimum feel for djs, comes in pairs packaged inside a sleeve

1 pair of slipmats, made out of a smooth but strong material, unique matte surface, far more resistant to dust and other particles, extra thin and provide optimum feel for djs, comes in pairs packaged inside a sleeve

1 pair of slipmats, made out of a smooth but strong material, unique matte surface, far more resistant to dust and other particles, extra thin and provide optimum feel for djs, comes in pairs packaged inside a sleeve

1 pair of slipmats, made out of a smooth but strong material, unique matte surface, far more resistant to dust and other particles, extra thin and provide optimum feel for djs, comes in pairs packaged inside a sleeve

1 pair of slipmats, made out of a smooth but strong material, unique matte surface, far more resistant to dust and other particles, extra thin and provide optimum feel for djs, comes in pairs packaged inside a sleeve

1 pair of slipmats, made out of a smooth but strong material, unique matte surface, far more resistant to dust and other particles, extra thin and provide optimum feel for djs, comes in pairs packaged inside a sleeve

one of techno’s most prominent prism pushers follows work on fever ray’s plunge album to open 2018 with the masterful machine control of the 3d printed songbook , dispatched thru his stockholm-based personal imprint. in his highly personalised style of scandinavian techno dub pressure, mannerfelt pursues a signature blend of raved-up smarts with cutting-edge sound design into ever more curious, densely packed but spacious gestures on the 3d printed songbook by getting ever closer to grips with his elemental electronic material. where so much techno can feel like the work of a bored neek pushing blocks on a screen or effectively doing a colouring-in book, mannerfelt is a sculptor who has picked techno and pure, abstract electronics as his medium, manifesting a sound which works just as well for those who appreciate the tactile sensuality of manipulated noise, as those who love dancing to irregular, warped rhythms and sensational tones.

adesse versions has been dropping some choice originals and edits on a host of renowned and respected labels for the last four years and we’re proud to add him to the esteemed list of artists to release on delusions of grandeur. from early white labels on make love in public spaces and his own adesse versions label through to his recent outings on heist, numbers, razor n tape, let’s play house and local talk, he continuous to impress with his raw, sample-heavy production which brings pure energy to the dance floor. for his pulp fusion ep, adesse presents three diverse and brilliant cuts, all showing off his deft touch in the studio and providing what we feel is his strongest work to date. pulp fusion leads the a side with cutting clavinets doubling up the syncopated bassline, a super-charged romp where disco meets filtered house resulting in a track with widespread appeal despite its raw and underground approach. the a2 entitled fade out drops the bpm’s for a string-drenched, philly soul jam, heavy on percussion but with a gentle lilt and balearic vibe that makes it perfect for the wind down. last but definitely not your average b side filler we have the mighty raw in its live edit incarnation. militantly minimal in sonic palate, this jacked up house track simply rocks the spot thanks to adesses ballsy arrangement,production prowess and nasty bassline, rounding off this ep with a punch

on their second 12-, the honey butter crew prove themselves to be experts in the arts of mellifluous house jams, just like their name suggests. leipzig s m.ono has previously been spotted on rose records, heist and nite grooves amongst others, and sounds in fine fettle on this smooth sailing 12- of feel good house jams. -peanut butter lover- has it all - dreamy pads, throbbing bassline, lingering piano. -bummi- meanwhile aims for a clubbier feel offset by chirpy vibraphone notes, and then -made in montana- rounds the ep off with some deft keys and an overall deep atmosphere.

“kissing to be clever” is the debut album by culture club. originally released in 1982, it immediately put the band on the musical map. turning the flamboyant boy george into a star, the soulful pop outing incorporated elements of pop, rock, new wave, dance and caribbean rhythms and sprouted several international hit songs.
“do you really want to hurt me” hit the #1 spot in several countries and turned out to be a song that resonates to this day with its universal feel of heart ache. all in all, this set is a highlight of 80s pop music, that set the stage for one of the decade’s most loved and oft-remembered bands.
pressing on 180 gram audiophile vinyl.

matthias wagner has caught our soul and cooked for us 3 minimal house tracks with a modern vibe. make sure to grab one copy, there will be only 300 of them available. hope you ll feel something while listening to jooice 01

the olympos series continues its exploration of godly themes and adventurous techno with a third instalment, this time calling on demetra, the goddess of the harvest and agriculture. there s a consistently deep tone to all four of the tracks on offer here, employing swooping pads and undulating bleep lines to conjure up a warm, early 90s feel that would sound right at home on an early b12 single. -pump it- is especially deep, using the barest of ingredients to take you on a dreamy, machine-powered trip.

barefoot beats are back with more mighty fine brasilian vibes on a limited edition 10 inch vinyl. first up is disco lover dicky trisco who really lets loose on a seriously groovy chunk of brasilian funk that unwinds slowly and deliciously until the horns declare that its time to dance! meanwhile on the flip, rio based dj and producer joutro mundo hits full-on beach party mode, where you can really feel those barefoot vibes flowing. vamos!

more brazilian inspired, feel good vibes from the barefoot beats crew. first up is berlin based dance machine eddie c who digs deep and drops a swinging bahian tinged groove, which is guaranteed to get you dancing on the tables! while over on the flip, rio based producers balako capture the vibe of those hedonistic carnival nights in their city when the night air is bursting and burning with excitement and anticipation. log off whatever you were doing and go barefoot instead!

man power his raw electronic sound, organic flourishes and diverse selection make him a perfect match for dgtl, both on stage as well as on the imprint. next to releasing a steady flow of records on established labels like esp institute, optimo trax, correspondant and hivern discs, man power is running his own shop as well: me me me. this gives him an outlet to release music by both friends and himself. for his release on dgtl records he created a three-track ep called apologue ep, that showcases just two of different sides of his multi-faceted musical scope. the a-side features two firm, acid influenced tracks. the first of these two, the duelist, is an emotive house record, with a soundscape of piano melodies, synths and syncopated percussion laid on top of an acid bassline. el mago del tiempo features heavy hitting kicks combined with a sharp synth pattern. it has a long build up that keeps evolving throughout the entire composition. halfway through, the track breaks in to a raw and fierce rhythm accompanied by yearning, drawn-out synth pads. on the flipside, put your hands on the car (and get ready to die) brings back memories of a long gone past with nods to balearic pop, ebm, and the soundtrack work of stewart copeland, james horner, and jan hammer. this multi layered production has a warm and analogue sounding feel to it that rounds off a 3 dimensional release.

q/r features the reissue of rug-composed by chen yi (1982) (previously played by vladimir ivkovic, helena hauff) among others quality new wave, electro pop, industrial tracks composed by neud photo, automatenfall, beta evers & dora gerl as severe sisters, bb&ss, denis frajerman & william bope project the blizzard sow + an exclusive latvian piece from 1988 (19 gadi pirms sakuma). illustration by den haag based a. blokdijk (salò mentale) it s about weird electro, new wave, industrial, synth pop and dark psychedelic musik. it includes a remastered version of chen yis 1982 workrug, but also unreleased track from beta evers & dora gerl as -severe sisters-, denis frajerman & william bope project. the blizzard sow. an industrial/rock track recorded by a new band from berlin, called automatenfall... a new track from usa based artist neud photo, a cosmic electro track from mysterious bb & ss and an exclusive latvian piece from 1988 (19 gadi pirms s&#257,,kuma)

for this release metrist delves into a set of carefully constructed and deeply rhythmic but ear-grabbingly idiosyncratic, mixed fidelity dancefloor-geared oddities. the first three tracks are united, in a fashion, by the artist’s skill at programming a series of drum tracks that set a definite tone for the productions. within a quite partisan field of often microscopic generic variety, largely pinned down to the tempo and timbre of electronic drums, here metrist has pursued a tricky-to-define path. the bounce of new jack swing is twisted amongst stripped back polyrhythms, equal parts groove and glitch seasoned by some futuristic acid filters that create a constantly shifting aura of space and textural nuance around the individual drum hits. quite often arrhythmic interjections punctuate these ‘grooves’, be it the sawing bursts of noise and snarled, incoherent vocals on ‘an soaep’, the non-language and playful, bubbling bass surrounding the half time feel of ‘on golden seize’ that builds to something approximating an industrial take on uk funky or the brash sub-wobbles that intrude ‘pantomimer tongue’s juddering knife-scraping-on-a-balloon stutters. ‘caaacel the horze’ closes the record in a less weighty style, with crunchy arpeggios running on a synth that sounds like it’s picking up interference from a radio channel, as snatches of moaned vocals allude to a deeply ambiguous yet chilling narrative behind the music. thudding kicks intrude on the skittish melody but in a non-rhythmic way reminiscent of someone trying desperately to snatch your attention by banging on the adjacent wall. gauzy melodic textures in the background provide a calming counterpoint to the uneasy qualities of the composition

f*clr music are proud to present irish producer/dj, glenn davis and his debut release. a deep soulful affair aimed firmly at the dance floor fusing his love of all things chicago, detroit & nyc. the title track body & soul has its roots firmly in the strictly rhythm/nu groove groove a lush, organ driven banger that is guaranteed to incite hands in the air mayhem. ashley beedle & the north street crew put a different spin on body & soul giving it a spaced out, balearic feel while i ain t got nothing has got attitude and then some. the held string, melancholy chords and beautifully ethereal vocals take you to that tiny, dimly lit backstreet club in your mind you ve all been there the one you never want to leave. the gasping interjections on i feel it are underpinned by ominous synths while emotional intelligence takes you in an even darker detroit direction.

amrint keen is the new alias of lake people, reserved for his dance music productions with a rather electro feel to it.

first reissue of this essential lp by italian pioneer and ennio morricone cohort, alessandro alessandroni. originaly released on munich based experimental, progressive library label coloursound. alessandroni at his best: very refined italian cinematic sound, tense 12 strings guitar themes, synth sequences, beautiful sound of chamber classical music mixed with psych choir. you can feel alessandronis magical touch for melodies and arrangements on nearly each song and at the same time, some françois de roubaix reminiscence on themes like dramatic and sad farewell. no doubt each track of this underrated masterpiece could have been a classic soundtrack theme.

presented on vinyl for the first time, heres the awesome score of one of the most ambitious spaghetti westerns ever, the forgotten pistolero a.k.a. il pistolero dell’ave maria from 1969 by the duo comprised of roberto pregadio and franco micalizzi. with a title like this, you can probably already feel the music - a dark toned take on the spaghetti western sound of the time - served up with the kind of brooding, haunting themes that provide a perfect backdrop for a man on a mission! relatively spare and moody, it offers a unique blend of jazzy rhythms, western themes, electric guitar and whistling. instrumentation is nicely compressed at points - driving passages lines that lurk around the bottom of subtle orchestrations - creating subtle-stepping drama without pushing things too far over the top. the soundtracks is released in a hand numbered 500 copies limited edition 180 gram white vinyl in gatefold sleeve including the original cinema poster of the movie.

multi-platinum artist awolnation announced the release of their third studio album, here come the runts, on february 2, 2018. bruno spent 2016 crafting the album in his home studio nestled in the coastal mountain range separating the pacific ocean and the suburbs of los angeles where he grew up. the secluded location is reflected throughout the album. “the record definitely has a feel to it that seems parallel to the vibe of this mountain and the land,” bruno notes. “it’s like a non-gmo record. there’s no fake shit on there, none of the vocals are tuned. it’s all real playing.”

connected vol.2 is fully dedicated to italian techno. as there are many producers from italy, we picked 2 artists to who we feel particularly connected to their music - sisko electrofanatik and mr. bizz.

cosmic handshakes sees the pairing of 2 extremely talented detroit natives - blair french & todd modes - who take elements of disco, techno, jazz, house, afrobeat, latin music, dub and electronics and filter them through their own unique view of dance music. steeped in soul, live instrumentation, sampling and analogous alchemical studio processes, french & modes give us an exhilarating and fresh take on the deepest smoked out, after hours sounds of the city of detroit. in the mist is the duo s second release, following on from 2013 s the delicate details , released on the m1 sessions imprint. the last 2-3 years has seen the pair individually release music on a plethora of varied and esteemed global labels such as fit sounds, claremont 56, rocksteady discos and more. we at gghq are very excited to finally share with the world what we feel is hands down one of our favourite releases yet. a compelling body of work from front to back, the tracks on in the mist work perfectly as a self contained home listener, or as we ve found, just as well on a darkened dancefloor, leaving the choice up to you, the listener.

jasen lovelands prescriptions are strong and may not be suitable for all patients inquiring. these formulations were created in assistance from bmg, silent servant, and a new and improved mix by patrick russell, phd. a full dose of all four medications should not be administered without the help of a certified professional. for more information please feel free to call the acid camp hotline at 1-800-ami-high.

acid paulis album bld dropped earlier this year and was a superb reminder of martin gretschmanns unique place within the electronic music. breathing musicality and adventurousness into everything that he does, the album covered a number of moods and emotions, from dystopian carnivalesque vibes to moments of high intensity, through to deep melancholia and synth laden ambience. following on from the a remix package, b brings another huge selection of producers into the fray to reinterpret the originals. first up, hamburg hero stimming works over ‘amadou - flipping the original, into a techy bomb. a thick kick underpins a shuffling, off kilter rhythm and beautifully treated melodics. stimmings feel for gently pushing the dancefloor into new places shines through. ‘rené is reworked by roman flügel, the ongaku/klang/playhouse boss whose influence on the european electronic music scene has been immense. always willing to experiment, ‘rené is the perfect canvas - arpeggiated blips and beeps echo primitive electronic explorations by the likes of francis bebey, and a huge subby kick drum take this track into space. alex boman sets to work on ‘jeanne, locking into his signature groovy, tribal approach to working the dancefloor. the swedish producer adds dubby elements, an irresistible percussion track and disruptive, random sounds to the thick, heady mix. dutch wunderkind satori tackles ‘jorge - twisting the original into a psychedelic groover that finds room for backwards vocals, marimba-like melodies, fat basslines and shuffling breakbeats.

time for a little recognition… pets welcome a true polish techno founding father to the fold: jacek sienkiewicz. dj since the early 90s, producer since the late 90s and one of the earliest artists to stamp their country down on the techno map, jacek was one of the first polish producers to be signed by the likes of trapez, cocoon and klang and laid down the foundations for the likes of pets founders catz n dogz several years later when they emerged as 3 channels. og status confirmed, hes remained just as consistent as he is influential. this single is proof: ‘su17 is a bubbling sine cauldron that starts with a simmer but builds to a boil with its ever-morphing, lava-like flow. expert drum momentum and sudden layers of instrumental help to create a fluid three-track-in-one experience that spellbinds you crowd for the entire eight minutes without realising. ‘mustang is a cascading synth odyssey that gently rises and falls like an escher looped staircase. gradually building in momentum with more of jaceks signature hypnosis flare, its not until the drums double up with an almost live-style visceral feel that you realise just how high jaceks taken you. it comes complete with a star-lit switch from berlins serial innovator tobias, where the synths are deftly refocused and a whole layer of orchestral delight are layered within.

50th anniversary edition of aretha franklins critically acclaimed classic on 180 gram vinyl.

dixon avenue basement jams feel extremely honoured and stupidly excited to finally be able to announce this! after his first three eps on the label, the much talked about debut album from glasgows big miz is ready to drop on dixon avenue basement jams! from start to finish build/destroy really showcases his effortless feel for the weird funk. from the tweaked out organ solos on hammond groove and the live bass jam of straight thru cru to the straight up brain rattler of gear tension. this is big miz at his undiluted best and cements the fact that he is one of the uks most exciting raw talents. 2018 move aside, the big man has already owned ya.

repress of this album by the drummer of fela kuti. produced by doctor l. incl asiko as sampled by jaydee for commons hot shit! featuring remastered versions and ariya (psyche juju mix) as bonus track, which was not part of the original release. tony allen completely rewrote the books on what was possible within the afrobeat genre with his stunning 1999 album, black voices. when one considers exactly what is going on throughout black voices, it is quite mind boggling, as it is almost impossible to associate a minimalist, electronic feel with the massive walls of sound which allen was known to create.

behind the sstrom moniker hides one half of shxcxchcxsh and a long-time activist of sweden s experimental techno scene. having fallen in love with simple melodies and catchy arpeggios when being a member of bitpop/synth band slagsmalsklubben, he transferred these sensibilities further into his other projects. sstrom s excellent 2016 debut for semantica records was an excellent exercise in lush aquatic techno with breezy and lush atmospheres. the new ep -vitriol- is informed by the personal experience of the producer, which adds additional warmth and emotional weight to the record. the release brings back memories of earth pigments his father used when painting things in their house, the colours created were usually dark toned with some pastel lightness. this juxtaposition is felt throughout the record, which balances between cinematic futurist moods, steel-wool smoothness and subtle physicality due to its textured nature. the title track kicks-off with detroitish synth loops wrapped in dense lo-fi soundscapes, while -sienna- increases the tension by introducing more expansive melodic appeal intertwined with intensity of feather-like 4/4 rhythmics. -umbra- brings some shadowy sonic undertones immersed into a sea of crackle with melodies constantly resurfacing. the closing -ockra- bursts with more groovy patterns, yet retaining the same elegant warmth, which seems to be the signature element of this ep. while listening to all these tracks you feel like touching some alien surfaces with utmost sensitiveness with surreal landscapes stretching out in your imagination. this is carefully crafted introvert music, yet having some elegant dancefloor appeal.

vol 2 of jamma dee s soul & jazz influenced tunes

sample heavy transmissions from spyedits hq. three of them. the white label series continues this time featuring uk resident sameed. feel the tribe. tip.

john lee hooker’s 1969 album back on vinyl.

vinyl only - limited to 200. after a short hiatus, blossom kollektiv returns with a brand new limited edition vinyl release. this time around industry veteran, matthias vogt, presents his voyeur ep. no stranger to the label, his latest features three deep and melodic cuts with one remix of the title track from tanzlife v id ensemble. starting things out with “voyeur,” we move into beautiful soundscapes that truly tell a story though its lush melodies, while still packing enough punch to get the crowd going in the right moments of a set. followed by tanzlife v id ensemble’s interpretation, they bring a more traditional deep house version replacing the lush melodies with more club ready synth stabs and pads while reworking the composition for the peak moments in the club. now flipping over to the b-side we start with rubin a track full of sunny time vibes. this is the type of track that you’d love to play during the cold and dark months to bring a little temporary sunshine without it actually being sunny. rich deep pads are paired here with uplifting synths and a classic deep house arrangement to bring bright vibes anytime of the year. finally finishing things off with the comeback, we get something a little different with its tribal percussion and once again feel good vibes but the standout here is mathias’s display as a classically trained pianist, which he displays wonderfully throughout the track. one thing that is clear through his years of music composing experience in electronic music and beyond is you can expect finely crafted works of art that work both on the dance floor and as tools to spark your imagination.

uun returns to his imprint ego death with an ep that showcases his progression in both sound design and atmosphere. the a side kicks things off with on the concept of irony, a broken beat assault which serves as a mission statement with its scattered snares and vocal samples. the tangled web continues this mood but with a more intense structure, heavy on hypnotic synths that weave in and out of the tracks percussive framework. where as the a side is the logical extension of the first three ego death releases, the b side serves to showcase a deeper atmosphere while maintaining uuns preference for dense arrangements. the other features a haunting ethereal pad that floats above a broken kick pattern and a bed of clicks, pops, and field recordings. the closing track, absurd existence, forges all the elements of the artist s sound into perhaps his most melodic work to date. it is therefore senseless to think of complaining since nothing foreign has decided what we feel, what we live, or what we are. jean-paul sartre

having established itself with eps from duke slammer and dmx krew, dublin’s modern magic welcomes bari’s armonics for the label’s third release. a trained pianist and resident dj/curator of the we talk event series in his home city, armonics draws influence from electronic music across the past 40 years: chicago & acid house, italo- & electro-disco, new wave, synth-pop and vaporwave.
his italowave style is a fusion of these retro-futuristic and cosmic styles, forged through armonic’s production processes which include cassette recordings, vintage synths & modern korg/roland gear. the look alive ep is the producer’s second release, following a debut on slow motion in late 2016.
accompanying the ep’s three original tracks is an anthemic, piano-led remix of red eye by international feel act black spuma, aka lauer (tuff city kids/arto mwambe) and fabrizio mammarella (telespazio).

limited edition of 1000 copies on 4x12 inch vinyl, housed in gatefold sleeve with download code included.

tmpz002 of temporize records is an ep from glasgow affiliate dam-ru, drawing on themes of gnosticism, occultism, cosmology and automatism, dam-ru displays his attempts at transcendence through sound, and delves deep into the subconscious, to a world within worlds.
he crafts complex yet warm, organic electronic music that flirts with ambient, dub and experimental sounds. with “too many voices”, his debut ep, he explores a far eastern, mystical theme in producing 4 tracks that wouldn’t feel out of place in an epic film score.

untilmyheartstops makes a welcome return to the fray with this sublime four-tracker from emergent swedish producer martinou, previously found sneaking around the sewer sender label. as is customary with umhs releases, the conventions of house and techno are masked by a veil of mystery, where billowing pads and crooked rhythms dig past common or garden variety club tracks to offer something more sublime. from the slender, shimmering unaware to the weighty thrum of excessive, surely and on to the delicately poised i dont wanna wanna feel, martinou proves himself to be entirely in tune with the hidden depths of the label

this 3 track ep can be called a classy kann record that puts the never lost house feel into a contemporary dance robe. once again the label boss duo convincing with a signature record.

nandu returns for his 2nd release on connected with another unique pair of tracks, the first an african influenced song with the mesmerising vocals of oluhle, the second a 909 style acid dark dancefloor workout. 1. nandu & oluhle - umfazi omuhle (original mix)- a gentle almost cautious arrangement building slowly and ethereally with a beautiful selection of sounds and an african influenced nandu rythm with shakers and claves providing an original feel and leaving space for oluhle’s moving vocals. 2. nandu – another jam (another acid dub)- a more aggressive, upfront side from nandu. for the intense spot of the night with twisted groove of claps and percussion, heavier in the lows with a proper 909 kickdrum with the acid line coming in half way through..... hot.

weve been huge fans of tims work since the release of his first self-titled ep on astrolab. his analogue sound has been described as both death mulch and rare gloom. for his second work for love twelve, he continues the journey into dark spaces with four more deep synth freakers from his fish island school of synthesis studio. after releases on esteemed labels including emotional response, world unknown, bird scarer, hoga nord, rotters golf club (as the asphodells with andrew weatherall) and his own label crimes of the future which he runs with scott fraser, his debut album where is the champion? was released earlier in the year to critical acclaim. tim will continue to push forward and we feel privileged to see him return for a wfl round two.

finder is the newest alias of jeroen liebregts, best known as radial (audio assault / mord) and as part of the duo museum (indigo aera / mdr). for this ep on lowercase life he has provided us with four deep and raw techno cuts with an analog feel. as always available in limited edition vinyl with hand made silkscreen printed covers.
early support by: etapp kyle, marcel dettmann, speedy j, shlomo, ame, abstract division, dave clarke, dustin zahn, artefakt, fabrice lig, jeroen search, 2000 and one, par grindvik, luca agnelli, jonas kopp, dax j, wrong assessment, iron curtis, bleak, rebekah, dvs1

the numero groups dive into the deep end of americas private press continues. having battled the witches and wizards of darkscorch, the outlaws of cosmic americana, and traveled alongside ladies from the canyon and their lonesome heroes, its time to take it easy. with pop musics volume knob adjusted for deflation in the early 70s, softness begat smoothness. crewmen arrived from the worlds of jazz, folk, rock, and soul, all peddling a product that was sincere, leisurely, and lofty. a sound that was buoyant, crisp, defined. sometimes classified as west coast and, later, yacht rock the compass points of our private yacht expedition are the blue-eyed harmonies of hall and oates, the cocaine-dusted fender rhodes of michael mcdonald, and the combover strums of james taylor. here, at the glassy apex of rocks softer side, 20 strong swimmers are gathered together. an album for both relaxation and reflection, where listeners can enjoy the present, a cool breeze, and a taste of the good life.

giammarco orsini is back on elephant moon with wider perspective, a four track ep of dance floor bombs displaying his diversity as a producer. opening with back to the future, a straight up house club killer with a slightly retro feel. up next up is inner path, a track with a throwback of jungle and breaks era on the b side electric love showcases giammarco s signature sound and the last track moonlight allows him to present a deeper cut overflowing with warmth and emotion.

as ever, the next project on opilec music is one with a rich back story this time paying homage to a very specific disco scene of the early 80s: it finds label boss i-robots turning out one of his brilliant reconstructions, namely of a classic and cult track by one hit wonders ahzz. this track was first released on land of hits, a label run by peter brown (who also wrote -material girl- for madonna) and michael campbell and has now been officially licensed for this reissue by opilec music. the track, new york s movin was huge on the new york disco scene and was played by the likes of david mancuso at the loft, larry levan at the paradise garage and by nicky siano at studio 54, but continued to be a big hit with modern new york tastemakers kenny dope, dj spinna, danny krivit and his body & soul party crew well into the 90s, as well as with stars like motor city drum ensemble and bulljun. i-robots is a notorious producer and record collector with a vast understanding of the history of house and disco and his version combines an original vocal and instrumental version into something really magical. new york s movin (i-robots reconstruction take i) is a jangling, organic and lose limbed disco number with a funky drum line, soul in its bones and plenty of lovably rough percussion, clicks and drums. a retro and impassioned vocal line adds flair to the track at the midpoint just before that groove kicks once more. this version is featured on the new i-robots - reconstructions 2007-2017 10th year anniversary release. new york s movin (i-robots reconstruction take ii) is then just as emotive and outgoing but after the break has more of a focus on funk. this is a huge party starting track filled with feel good vibes and once again proves opilec music work on only the most special projects.